Interview - Shades of Gray (Part One of Four)

SCOTT GRAY
Interviewed by Darrell Patterson & David Ronayne (in 1999)

Over the past few years something very strange has happened to the travels of the Doctor. His adventures have fragmented and have split across a series of canons as fan authors have had the opportunity to create new adventures. Few, however, have had the ability or freedom to reach, and surprise such a large audience as Scott Gray. An expatriate New Zealander, and previous regular contributor to TSV, his tenure as writer of the Doctor Who Magazine comic strip has been marked with controversy. New villains have come into play, companions have died and the Doctor was briefly 'regenerated. Darrell Patterson (DP) and David Ronayne (DR) track him down at the Fitzroy Tavern in London, and pester the life out of the poor man:

(DR) So what actually is your job?
(Scott) You mean in terms of DWM? I really don't have much to do with the mag at all. It's Gary (Gillatt), Alan (Barnes) and Peri (Godbold) doing the magazine. I'm just connected with the strip. I write parts of it, and am the 'hands on' editor. I go over the layout and pencil roughs with Martin (Geraghty) and Elitta (Fell) as well. I take a photocopy of the pencils and indicate where all the balloons are supposed to go, and where the text can be broken up and laid out. It takes a surprisingly long time, but I'm a bit picky about things. When people say, 'Oh, I'm a bit of a perfectionist', they generally don't see it as a flaw. It clearly is, because it drives everyone else around you completely insane. I get quite possessive about the strip which is a bad thing to do, because it is a team effort. There are a lot of people involved.

(DP) So how much input does everyone have in developing characters?
A lot. We sit down and talk about it, particularly regarding Izzy and Fey. Alan formulated both of them, so he will say, 'No, Izzy wouldn't say this. Fey wouldn't do that.' And we sometimes end up arguing and tussling. (Laughs) Funny thing is, we don't argue about what the Doctor would do. We are more or less in agreement about him. I think it's important not to overwrite the Doctor. If anything I'm guilty of underwriting him.

THE DOCTOR

'Dashing' seems to be the best word to describe him. Mister Darcy. You could see him in a sword fight, swinging off a balcony on a rope. He's kind of a template you fix your own ideas about what the Doctor is to. We have seen so little of him. He's a bit manic in the TV movie because he's just regenerated, so you get the feeling he's only just come right in the last fifteen minutes of the show. He struck me as a pretty cool character. He's essentially an English gentleman. A romantic figure from the past, one that would appeal to American women. Always making this last minute dash to freedom, battling the villains on the balustrade and making this constant sacrifice.

(DR) Funny you should mention sacrifice. You have put him through the wringer a lot. Lots of the cliffhangers have the Doctor plunging a syringe into his hearts or being exterminated by Daleks.
It's not something we consciously set out to do, but it seems right for the character. There isn't much point in the Doctor saving the day by simply pushing a button and reversing the polarity of the neutron flow. If the guy is going to be the hero, he has to do heroic things, and there is nothing more heroic than putting yourself on the line to save other people. That for me is the whole gist of the Doctor. There is some pretty obvious Christ imagery in the movie and Alan had great fun in the end of The Final Chapter with what appears to be the Doctor saving Gallifrey in the crucifix position. It seems very right for him.

You've got to give the impression that the Doctor is a kid at some level. It's too easy to simply have Izzy as the young, bubbly, youthful figure, and the Doctor going, 'Oh,lzzy! I can't believe you are being so childish.' You want to remind people that the Doctor is just as innocent in his own way as Izzy is, sometimes even more so. There is a great line in Nightmare Of Eden where someone says to Tom (Baker), 'Who are you working for?' 'I'm not working for anyone - I'm just having fun.' Which is him to a tee. We're trying to get back to that. We don't want the Doctor to have any great plan. He's wandering about and seeing what's happening.

IZZY

(DP) Is Izzy based on anyone in particular?
Izzy was originally based on several people. Particularly Louise Weiner, the singer from Sleeper. Easy on the eye, and she looks the part. Her and Diane from Trainspotting were the initial inspirations. Someone skinny and hip in look and attitude. A bit of a Britpop girl. If you look at Endgame she starts out looking very different. She looked like she worked out, and we were saying to Martin that she's got to be skinnier, more this kind of waif type. So if you look at Endgame now, over the course of those four issues she goes on this crash diet, so she has the right physique by the end of part four. At the beginning of part one she wasn't quite there. You see her bursting through a window with a laser gun and it's a kind of' Ace' thing to do. It's how Izzy would imagine herself to be rather than how she really is. In hindsight, it's not quite right for her as an introduction. She's more the kind of person who would try that and end up bashing her head against the window.

(DP) Izzy seems like one of us.
That's always the role of the companion. You're not really supposed to identify with the Doctor, but you are supposed to identify with the companion. When the show has been less interesting to me, it's generally when the companions have been a bit odd, like Nyssa or Adric. They seem completely removed from your own experiences. You can't relate to them. You can't relate to the Doctor either. You can't get terribly involved. With Ace you could, she seemed much more down to Earth. It just seems sensible to have an Earth companion from a contemporary setting.

Izzy is a Doctor Who fan, or at least would be if there was a series in the Doctor Who universe. She'd be the biggest fan ever. She'd be Jackie Jenkins. The fun thing is that lzzy makes all these cultural references that all the readers instantly understand, and the Doctor doesn't get any of it. This notion that we know more about something than the Doctor does is quite enjoyable. He's kind of blind to the popular culture of the latter half of the twentieth century. It's not something he's paid much attention to.

There was a key moment when I understood the relationship between them. In By Hook or By Crook Izzy's baiting the Doctor and they argue. 'Who got captured by the Threshold?' 'Yeah? Who got exterminated by the Daleks?' You realise he's just as much a kid as she is, and suddenly, Izzy comes across as the slightly more mature one in a weird way. Then a couple of pages later she's in prison with him. They both blunder into situations. They just think, 'Oh, I know what to do - don't worry.' They just go with whatever comes into their heads. So she just runs off and leaves him there and comes back with the sonic screwdriver baked in a cake. That's her brilliant idea!

(DR) In Endgame she says, 'I'm Izzy Nobody'. I thought her past may turn up again, but it hasn't.
'Izzy Somebody from Stockbridge' is sort of her official name. She's had several foster parents and has never really had a sense of stability. You don't get companions with lots of family ties, it's basically one of the rules. In the beginning the companions were adults. You never stopped to wonder if lan's mother was worried about him. After that they tended to be orphans, or the family were just never mentioned. Jo, Sarah, Tegan - do we know about their relatives? Tegan had an aunt, but she didn't last long, did she?

(DR) There seems to be no playing games with Izzy.
No, that's been done. The Doctor can still be quite sly. Wormwood points that out better than anything else. But he doesn't play games with Izzy. When it comes to his friends he's not going to dick about with them.

FEY

(DP) So who is the visual reference for Fey?
No one really. The trick with Fey is that she wasn't meant to be a companion. She was originally fated to die at the end of Tooth and Claw. Alan just really liked her and said it would be helpful having her around, simply to have two people carrying the Doctor to the TARDIS. Fey can handle tough situations. She's a female version of the Doctor. She's been to all of these places around the world, had all these adventures, and she also name-drops lots of people. All traits of the Doctor. When he meets her for the first time he thinks, 'Hey, you're really cool!' simply because she reminds him of him.

Alan said he'd kill her off at the end of The Final Chapter. But when we got to the end, he came back and said it would deflect attention from the regeneration. So then Gary suggested Fey could be a Threshold agent ...

No! (waves hands in the air in mock horror) That went against everything I had planned about the Threshold not being able to travel in time. We eventually got round that by having them simply plant a bug inside her. She is the perfect spy; someone who doesn't realise they are a spy. It's quite humiliating for her, because she's meant to be this cool secret agent, and the Threshold are laughing at her in the background. Once I got that in mind it all seemed to click into place. Then she became a really important figure in the overall plot.

(DR) She seemed to work really well.
Yeah, but as Alan said, it is very difficult to have two companions in an eight page comic strip. I'm very conscious of the amount of space we've got in each chapter. You have got to have a substantial amount happening. It's very easy to not write enough, or do the opposite and cram too much in. Then Martin doesn't have enough space. It can be tricky.

When I wrote Wormwood we agreed I had to get rid of Fey. I had considered killing her off at the end of part one. I thought that would be a really dramatic way of starting the story, with the Threshold saying, 'We're not playing around anymore, guys.' Then the idea of having her merge with Shayde came along and I thought that would be more fun. I liked her. Now she's too powerful to be a companion, and the Doctor wouldn't be terribly keen on having someone running around with a gun. Fey was essentially the Ian Chesterton/Jamie figure. McGann isn't going to anger easily and get into fights, but she could just beat people up. It just seemed fun to make that character a woman for a change.

RTP! #27 Status Report

Work on issue 27 of RTP! is already underway with the following being prepped for inclusion in the issue (due around June '08 hopefully):

• "The Tower of Angum" Part Two - The second part of the Tenth Doctor/Rose comic strip illustrated by Garry Jackson
• "The Life and Times of the 3rd Warlord on the Left" - The comic adventures of Frank the Warlord continue in Part Two
• 30 Second Theory - Looks at Mr Bannakaffalatta from Voyage Of The Damned
• "Cyberman the Kroton" - More comic mayhem from the pen of Erato
• "One Flew Over the Hen's Nest" Part Four - The fourth and final part of Alexander Ballingall's investigation into the history of Graham Muir's comic creations
• The answers to last issues cryptic crossword
  
• An interview with someone
• And more!
  

Fanzines Reviewing Fanzines - RTP! #26

Zeus Plug has taken the time to review the most recent issue. Read Alistair Hughes thoughts here.

Fanzines Reviewing Fanzines - TSV #75

Another review of TSV from the pages of RTP!:

TSV #75 (December 2007)

Seventy-five issue, twenty years, and a full-colour, wrap-around cover to boot. TSV clocks in for issue 75 with three main articles: a review of Series Three, a look back at the PDAs of the Fourth and Fifth Doctors, and a dig into the broadcast of Doctor Who in Singapore. Beyond this the issue is dotted with some smaller items, yet nothing from all of this leapt out as an immediate must read.
The best part of the issue was the follow up to the ‘Drabble Who’ challenge with some amusing entries and Amy Mebberson’s art additions to the fanzine. I feel that TSV still needs more art to help break up the pages of text that can sometimes be a little daunting to look at. Jon Preddle’s ‘Singapore Who’ took a little getting into, but proved interesting in the end. Will there be follow ups or are there no other screening histories that Preddle has access to?
The rest of the issue was something I came back to a little while later, Chris Skerrow’s review of the PDAs of interest to me primarily because I’ve only ever read about a half dozen of them. Unfortunately as a result of this lack or merchandise, Edwin Patterson’s guide to purchasing the stuff was of little interest, but I presume it to be a fairly accurate and comprehensive guide to spending your hard earned dosh.
I’m still not sure what I’m waiting for in TSV, but I keep feeling like some ‘zing’ is needed.

— Alexander Ballingall

Read other reviews of the same issue here and here.

Legs Eleven

Dated April 2001, issue 11 surfaced in the April of 2002, a mere month after I'd returned to NZ from my two year OE in the UK. I have a vivid memory of using my sister's account at the University of Canterbury to get the master copy printed out as for some reason I was unable to do so at home. Much of the material in the issue was quite old, such as my Terror Of The Zygons video review which I'd written before my departure to the UK two years earlier! It was an exercise in getting the issue printed rather than worrying about anything else. Looking at the content now I can tell that at least a third of the issue was done before my May 2000 departure. I think that at the time it was finally printed both Matt and I were glad to see the back of the issue, more so for Matt as it meant that he could officially give up his post as Co-Editor (unofficially having given up a good year or two earlier) and not have to worry about putting together an issue in the future — issue 11 must have hung over him like the sword of Damocles! As a result of those two years of chaos and uncertainty, Matt paid for the issue out of his own pocket allowing subscribers to get that issue for free.

And the eyebrow raising editorial (dating from around April 2001), Matt's last one for the fanzine?:

It's official, Matt Kamstra is the laziest bastard in New Zealand Doctor Who Fandom!

In really old, not so ground-breaking news, Matt Kamstra has been named 'Laziest Dutch Prick in Fandom' in a recent DWB-S poll amongst spaced out garden gnomes (too many shrooms CAN be a bad thing). Not having compiled an issue since Alexander 'most of us just call him Joe' Ballingall left for foreign shores, most of us now believe that RTP! is dead, to be no more, just another failed New Zealand Doctor Who fanzine. But alas! Joe has succeeded in giving Matt an electronic kick up the arse and once again jump-starting the subversive Doctor Who subculture known as Reverse the Polarity! and it's adopted step-sister newsletter Neutron Flow (formerly known as Critical Mass).

Why this magnificent and award-winning magazine suddenly disappeared a little over one year ago is still somewhat of a mystery to contemporary history scholars and even Matt Kamstra himself. However, its sudden re-emergence has come as a shock to many, even causing the death of an elderly man in Waiwhakamukau. In an unofficial release to the DWB-S press on Friday night Mr. Kamstra had this to say about the matter: "impissedsofuckoffnleavemealoneyacommiebastard". Moreover, his publicist had this translation to offer: "Due to a heavy professional schedule and intense media pressure, my work has been seriously impaired. I do not wish to speak any further on the matter. Now f**k off."

Most importantly however, this reporter has discovered that RTP! is here to stay, and will in fact soon be published in Ware, Hertfordshire, England, and then in Kyoto, Japan, when Alexander 'Is my name actually Joe or Alex' Ballingall and Matt 'I'm surprised I can find anything in this joint' Kamstra move to the Orient to pursue careers in Asian boy bands! Sensational but true! More details are coming to light as we go to press, but by next issue we should have some early photographs and possibly a working title for the project. All this and a four page lift-out poster section!

In similarly ridiculous breaking news, Reverse the Polarity!'s website is soon to be upgraded after a two year hiatus. Tentatively renamed 'Saucer Smith's Psychedelic Magical Mystery Bus Trip' the site will feature a web-shop for subversive instruments and home made whiskey, reviews and articles from all three 'Saucer Smith' publications, and an extensive collection of amateur and professional porn courtesy of Paul 'sifty f**k' Maloney and his lovely ladies.

- Matt Kamstra

The Guff Revolutions:

Published: April 2002
Editor: Matt Kamstra, Alexander Ballingall
RTP! Logo Design: Peter & Bridget Adamson
Front Cover: Peter Adamson
Back Cover: Garry Jackson
Internal Artwork: Peter Adamson, Garry Jackson, Matt Kamstra
Letters: Peter Adamson, Jeff Stone
Page Count: 52
Print Run: 30
Price: NZ$3

~ Contents ~

• [01] COVER
• [02] CONTENTS
• [03] EDITORIAL
• [04] UPDATE
• [05] The BOOTCUPBOARD [Letters]
• [06] K'umface' / The Twelve Pages of Karkus
  
• [07] Doctor Who Bullsh*t: Prime Re-Run Surprise Shocker!
• [09] REVIEWS: The Scope [Reviews of PDAs]
• [10] REVIEWS [Attack of the Cybermen]
• [12] OPINION: Doctor Who Goes Digital
  
• [13] An Alt. Future for RTP!
  
• [16] CARTOON: Saucer + Birdy—Meet the DJ from Hell!
• [18] INTERVIEW: Confessions of a Melophile [Alden Bates]
• [22] The Cabbage Criterion
• [25] OPINION: Your Two Cents Worth ...
• [26] The Sexual Misadventures of Doctor Who - The middle Davison TARDIS crew
• [27] COMIC: Pulp Who—The Gold Star [part 4 of 4]
• [37] REVIEWS: Armageddon '02 conventions in Auckland & Wellington
• [38] Doctor Who Bullsh*t: JFK Plot Update ... Again!
• [40] REVIEW [Terror of the Zygons]
• [42] FICTION: Alternate Realities [part 1 of ?]
• [44] FICTION: The Red Menace [part 6 of 8]
• [48] ARTICLE: The NZ Connection
  
• [49] CARTOON
• [50] OPINION: Thoughts from the Kitchen
• [52] COVER

Flashback - Grey Days (RTP! #9)

Issue 9 was compiled by Matt Kamstra while I was away on holiday (hence the page numbers went missing and were only penned in at the last minute before printing), although most of the material had been assembled prior to my absence. The highlight of the issue was the interview with Ashburton fan Graham Muir, conducted by myself (with the aid of a tape recorder) in Matt's pad in Christchurch one sunny Saturday in late 1999. It was an amusing chat, something hopefully reflected in the interview.

Pulp Who continued, Peter Adamson's art and layout skills consistently putting my own to shame! Due to a lack of art from regular artist Garry Jackson (for reasons I don't recall), much of the issue was illustrated by myself with various silly little bits like the Valeyard doing a Homer Simpson-style dance on the grave of the Sixth Doctor. I also managed to waste three whole pages with various numbers based on the results of the DWM 1998 survey which had sampled a large number of fans for a comprehensive snapshot of fan opinion on all the stories of the series. It was fun to write at the time, but I've no idea if people fun it fun to read!

Finally, a spaced-out Erato strip and some dodgy pics by Jon Preddle helped round out what eventually turned out to be a very skitzo issue. If this was a result of the seven month delay (issue 9 should have surfaced in September 1999, not January 2000) I've no idea. Nor do I recall really why there was such a long gap either. But it was becoming apparent by this time that Matt was beginning to drag his heels with the fanzine and lose interest. Changes would soon be around the corner (hiatus not withstanding!).

If - "The Brain Dead"

The third of Peter Adamson's articles on the impact some unmade Who might have had, if they had been made ...

The Brain Dead
by Brian Hayles

Prior to The Curse Of Peladon, Brian Hayles submitted a story outline for a third Ice Warrior story, yet again set on Earth, but this time in a contemporary setting.

Briefly, The Brain Dead involved an attempted invasion of Earth by the Martians using Earth's "comsats" (communication satellites) and the Warriors' own weapon, the' Z beam' - a super high concentration of energy which could freeze targets to absolute zero at pin-point accuracy. There was more - the Ice Warriors eventually make their base on Earth (probably Britain - don't get too excited) in a disused frozen foods factory. It's beginning to sound like the plot for Batman Forever already. UNIT are involved of course - this being a first contact scenario for the Brigadier re: the real inhabitants of Mars; though the Brig initially believes the culprits to be the very Earthly separatist group, The Isolationists. Things become even more sinister with the appearance of the victims of the Martians' meddling - the Brain Dead - zombified humans who makeup most of the invading vanguard. finally, the Doctor comes to everyone's rescue with the revelation that all the frozen assets of the Ice Warriors (the Brain Dead included) can be easily dispatched with an ultra high electrical current. Simple really.

If all of this sounds a bit confusing and complicated, tht'f1 bear in mind that this is the most complete story synopsis available, and to be sure it's not much of a story at face value . Presumably the reason behind its rejection, much to the improvement of the far superior Peladon story.

As for its inclusion in Season 9 however, The Brain Dead wouldn't have looked out of place alongside say, The Time Monster. The inclusion of UNIT would have been entirely feasible, as would the production-friendly Earth setting. There is even some topical elements with the Isolationists, an environmental pressure group foreshadowing Jo's future in The Green Death. It would have been interesting to see how Brian Hayles wrote for the UNIT regulars, and given that at that stage the previous Ice Warrior story had been The Seeds Of Death, the concept of aggressive Martians would not have seemed out of place (unlike their later slated appearance in Mission To Magnus). So wemight be able to conceive of an imaginary production of Brain Dead with the usual regulars Lennie Mayne directing, Ian Scoones supplying the satellite models, and perhaps even Alan Bennion would have reprised his lee Lord role as Kulvis, commander of the Martian force.

In the end it is probably for the better that The Brain Dead was overlooked, for its replacement with The Curse Of Peladon was a boon fur the Pertwee Era in two ways: first and foremost Peladon was the first adventure set in outer space for the ninth season (and only the second in Pertwee's tenure at that stage), and secondly it introduced the first instance of an established 'monster' race having a significant and interesting change in philosophy and becoming an ally of good (or, ' doing a Klingon' as it would churlishly be known in later years). The Brain Dead offered none of these novel elements unfortunately, and perhaps it is for the reason that it played too closely to the already dated Earthbound formula of season seven that it was scuppered.

- Peter Adamson